Ano | Título | Personagem | Dramaturgo | Diretor | Teatro | Notas |
1975 | The Seagull | Konstantin (Kostya) | Anton Chekhov | Peter Watson | Royal Academy of Dramatic Art | |
1975 | Arden of Faversham | Black Will | Anonymous | Geoff Bullen | Royal Academy of Dramatic Art | |
1975 | Hamp | Prosecutive officer | John Wilson | Euan Smith | Royal Academy of Dramatic Art | |
1975 | Objections to Sex and Violence | Arrogant pseudo-intellectual | Caryl Churchill | Caryl Churchill | Royal Academy of Dramatic Art | |
1976 | When Thou Art King | | John Barton | John Barton | Royal Academy of Dramatic Art | |
1976 | The Night of the Iguana | Nonno | Tennessee Williams | | Royal Academy of Dramatic Art | |
1976–77 | Cinderella | Albert the Horse, Courtier | Sid Colin, David Wood | Giles Havergal | Glasgow Citizens Theatre Company | |
1976–77 | The Country Wife | Mrs. Dainty Fidget | William Wycherley | Philip Prowse | Glasgow Citizens Theatre Company | |
1976–77 | The Importance of Being Earnest | Lane | Oscar Wilde | Giles Havergal | Glasgow Citizens Theatre Company | |
1976–77 | Macbeth | Malcolm, Third Murderer | William Shakespeare | Giles Havergal | Glasgow Citizens Theatre Company | |
1976–77 | Chinchilla | Tancredi | Robert David MacDonald | Philip Prowse | Glasgow Citizens Theatre Company | |
1976–77 | Figaro | A policeman, a lawyer | Pierre de Beaumarchais | Robert David MacDonald | Glasgow Citizens Theatre Company | |
1977–78 | Semi-Monde | Freddy Palmer | Noël Coward | Philip Prowse | Glasgow Citizens Theatre Company | |
1977–78 | Vautrin | Joseph | Honoré de Balzac | Robert David MacDonald | Glasgow Citizens Theatre Company | |
1977–78 | Loot | McLeavy | Joe Orton | Giles Havergal | Glasgow Citizens Theatre Company | |
1977–78 | Mother Goose | Villager | Myles Rudge | Giles Havergal | Glasgow Citizens Theatre Company | |
1977–78 | No Orchids for Miss Blandish | Johnny Frisk | Robert David MacDonald, James Hadley Chase | Robert David MacDonald | Glasgow Citizens Theatre Company | |
1977–78 | Painter's Palace of Pleasure | Giovanni | John Ford, John Webster | Philip Prowse | Glasgow Citizens Theatre Company | |
1977–78 | Equus | | Peter Shaffer | | Lyric Theatre, Belfast | |
1978–79 | The Threepenny Opera | J. J. Peachum | Bertolt Brecht, Kurt Weill | Philip Prowse | Glasgow Citizens Theatre Company | |
1978–79 | The Seagull | Dr. Dorn | Anton Chekhov | Philip Prowse | Glasgow Citizens Theatre Company | |
1978–79 | Dick Whittington | The Emperor of Morocco | Myles Rudge | Giles Havergal | Glasgow Citizens Theatre Company | |
1978–79 | Country Life | Guglielmo | Carlo Goldoni | Robert David MacDonald | Glasgow Citizens Theatre Company | |
1978–79 | Whose Life Is it Anyway? | Philip Hill (The Solicitor) | Brian Clark | Tony Dinner | Lyric Theatre, Belfast | |
1978–79 | Once a Catholic | Derek (a Teddy Boy) | Mary O'Malley | Michael Poynor | Lyric Theatre, Belfast | |
1979 | The Death of Humpty Dumpty | Doctor | J. Graham Reid | Patrick Mason | Abbey/Peacock Theatres, Dublin | |
1979–80 | The Ha'penny Place | Hare Krishna/Yehudi | Jim Sheridan | Peter Sheridan | Project Arts Centre, Dublin | |
1979–80 | The Liberty Suit | | Peter Sheridan | Jim Sheridan | Project Arts Centre, Dublin | |
1980–81 | The Battlefield | Faustino | Carlo Goldoni | Robert David MacDonald | Glasgow Citizens Theatre Company | |
1980–81 | The Caucasian Chalk Circle | Shauva (The Policeman), Prince Georgi | Bertolt Brecht | Giles Havergal | Glasgow Citizens Theatre Company | |
1980–81 | Don Juan | Father Juan | Robert David MacDonald | Philip Prowse | Glasgow Citizens Theatre Company | |
1980–81 | Desperado Corner | Frank | Shaun Lawton | Di Trevis | Glasgow Citizens Theatre Company | |
1980–81 | Madame Louise | Bishop of Porchester | Vernon Sylvaine | Giles Havergal | Glasgow Citizens Theatre Company | |
1981 | Bent | Greta/George | Martin Sherman | Michael Scott | Project Arts Centre, Dublin | |
1981 | Krieg | Jet | Liam Lynch | Patrick Mason | Project Arts Centre, Dublin | |
1981 | The Seagull | Konstantin (Kostya) | Anton Chekhov, Thomas Kilroy | Patrick Mason | Grand Opera House, Belfast | |
1982 | Curse of the Starving Class | | Sam Shepard | | Project Arts Centre, Dublin | |
1982 | On Baile's Strand | Cuchulain | James Ellis, W.B. Yeats | Christopher Fitz-Simon | Belltable Arts Centre, Limerick | |
1982 | Waiting for Godot | Estragon | Samuel Beckett | Ben Barnes | Belltable Arts Centre, Limerick | |
1982 | Blood and Ice | Byron/The Monster | Liz Lochhead | Kenny Ireland | Traverse Theatre Company, Edinburgh | |
1982–83 | The Roman Actor | Paris | Philip Massinger | Philip Prowse | Glasgow Citizens Theatre Company | |
1982–83 | Red Roses for Me | Brennan O' the Moor | Seán O'Casey | Giles Havergal | Glasgow Citizens Theatre Company | |
1982–83 | Torquato Tasso | Antonio Montecatino | Johann Wolfgang von Goethe | Robert David MacDonald | Glasgow Citizens Theatre Company | |
1982–83 | The Mother | Savely | Bertolt Brecht | Giles Havergal | Glasgow Citizens Theatre Company | |
1982–83 | The Impresario from Smyrna | Maccario | Carlo Goldoni | Robert David MacDonald | Glasgow Citizens Theatre Company | |
1982–83 | The Merchant of Venice | Antonio | William Shakespeare | Philip Prowse | Glasgow Citizens Theatre Company | |
1982–83 | Arms and the Man | Nicola, man-servant | George Bernard Shaw | Giles Havergal | Glasgow Citizens Theatre Company | |
1982–83 | Sirocco | Tonio | Noël Coward | Philip Prowse | Glasgow Citizens Theatre Company | |
1982–83 | Webster | Webster | Robert David MacDonald | Philip Prowse | Glasgow Citizens Theatre Company | |
1983 | The Last Days of Mankind | A Man of Government | Karl Kraus | Robert David MacDonald | Glasgow Citizens Theatre Company | |
1983 | Rosenkavalier | Valzacchi | Hugo von Hofmannsthal | Philip Prowse | Glasgow Citizens Theatre Company | |
1983 | Juno and the Paycock | Captain Jack Boyle | Seán O'Casey | Giles Havergal | Glasgow Citizens Theatre Company | |
1983 | Oroonoko | Lieutenant Governor | Thomas Southerne | Philip Prowse | Glasgow Citizens Theatre Company | |
1983 | Indian Summer | Cathal Dillon | Jennifer Johnston | Robert Cooper | Lyric Theatre, Belfast | |
1984 | The White Devil | Lodovico | John Webster | Philip Prowse | Greenwich Theatre, London | |
1984 | The Way of the World | Fainall | William Congreve | Giles Havergal | Greenwich Theatre, London | |
1984 | The Seagull | Trigorin | Anton Chekhov | Philip Prowse | Greenwich Theatre, London | |
1984 | The Riot Act (Antigone) | Chorus leader | Tom Paulin | Stephen Rea | Field Day Touring Company, Derry | |
1984 | High Time (School for Husbands) | High Tech | Derek Mahon | Wolk and Long | Field Day Touring Company, Derry | |
1985 | Mary Stuart | Paulet | Friedrich von Schiller | Philip Prowse | Glasgow Citizens Theatre Company | |
1985 | Blithe Spirit | Charles Condomine | Noël Coward | Giles Havergal | Glasgow Citizens Theatre Company | |
1985 | The Plough and the Stars | Jack Clitheroe | Seán O'Casey | Giles Havergal | Glasgow Citizens Theatre Company | |
1985 | Arsenic and Old Lace | "Uncle" Teddy | Joseph Kesselring | Giles Havergal | Glasgow Citizens Theatre Company | |
1985 | Faust | Minister of State | Johann Wolfgang von Goethe | Robert David MacDonald | Glasgow Citizens Theatre Company | |
1985 | 'Tis Pity She's a Whore | Giovanni | John Ford | Garry Hynes | Druid Theatre Company, Galway | |
1985 | The Importance of Being Earnest | Oscar Wilde | John Worthing | John Ford, Garry Hynes | Druid Theatre Company, Galway | |
1986 | The Representative | Pope Pius XII | Rolf Hochhuth | Robert David MacDonald | Glasgow Citizens Theatre Company | |
1986 | Hidden Fires | Clavaroche | Alfred de Musset | Robert David MacDonald | Glasgow Citizens Theatre Company | |
1986 | The Orphan | Castalio | Thomas Otway | Philip Prowse | Greenwich Theatre, London | |
1986 | I Do Like to Be | David | Shane Connaughton | Jeff Teare | The Irish Company | |
1986 | Observe the Sons of Ulster Marching Towards the Somme | George Anderson | Frank McGuinness | Michael Attenborough | Hampstead Theatre, London | |
1987 | Dialann Ocrais/Diary of a Hunger Strike | O'Connor | Peter Sheridan | Peter Sheridan | Abbey/Peacock Theatres, Dublin | |
1987 | Mahabharata | | Adapted by Jean-Claude Carrière | Peter Brook | Ashwattaman/Nakula World Tour | |
1988 | The Lady from the Sea | The Stranger | Henrik Ibsen | Tom Cairns | Glasgow Citizens Theatre Company | |
1988 | Richard III | Richard III | William Shakespeare | Jon Pope | Glasgow Citizens Theatre Company | |
1989 | Cuchulain Cycle | Cuchulain | W.B. Yeats | James W. Flannery | Abbey/Peacock Theatres, Dublin | |
1990–91 | The Last Days of Don Juan | Don Pedro Tenorio | Tirso de Molina, Nick Dear | Danny Boyle | Royal Shakespeare Company | |
1990–91 | Edward II | Roger Mortimer | Christopher Marlowe | Gerard Murphy | Royal Shakespeare Company | |
1990–91 | Two Shakespearean Actors | Dion Boucicault | Richard Nelson | Roger Michell | Royal Shakespeare Company | |
1990–91 | Troilus and Cressida | Achilles | William Shakespeare | Sam Mendes | Royal Shakespeare Company | |
1992 | Assassins | Samuel Byck | Stephen Sondheim, John Weidman | Sam Mendes | Donmar Warehouse, London | |
1993 | Richard III | Richard III | William Shakespeare | Sam Mendes | Royal Shakespeare Company | |
1993 | Machinal | The Young Man | Sophie Treadwell | Stephen Daldry | Royal National Theatre, London | |
1995 | Simpatico | Vinnie | Sam Shepard | James Macdonald | Royal Court Theatre, London | |
1997 | Closer (London production) | Larry | Patrick Marber | Patrick Marber | Royal National Theatre, London | |
1999 | Closer (Broadway production) | Larry | Patrick Marber | Patrick Marber | Music Box Theatre, New York | |
2001 | The Yalta Game | Gurov | Anton Chekhov, Brian Friel | Karel Reisz | Gate Theatre, Dublin | |
2007 | The Seafarer | Mr. Lockhart | Conor McPherson | Conor McPherson | Booth Theatre, New York | |
2009 | The Birds | Nat | Conor McPherson | Conor McPherson | Gate Theatre, Dublin | |
2009 | Burnt by the Sun | Serguei Petrovitch Kotov | Peter Flannery | Howard Davies | Royal National Theatre, London | |
2011 | Juno and the Paycock | Captain Jack Boyle | Seán O'Casey | Howard Davies | Royal National Theatre, London | |
2011 | Juno and the Paycock | Captain Jack Boyle | Seán O'Casey | Howard Davies | Abbey/Peacock Theatres, Dublin | |
2013 | The Night Alive | Tommy | Conor McPherson | Conor McPherson | Donmar Warehouse, London Atlantic Theater Company, New York | |
2014 | Our Few and Evil Days | Michael | Mark O'Rowe | Mark O'Rowe | Abbey/Peacock Theatres, Dublin | |
2015 | Hamlet | Claudius | William Shakespeare | Lynsey Turner | Barbican Centre, London | |
2016 | The Crucible | Deputy Governor Danforth | Arthur Miller | Ivo van Hove | Walter Kerr Theatre, New York | |
2017 | Girl from the North Country | Nick Lane | Conor McPherson | Conor McPherson | The Old VicThe Noel Coward Theatre | |
2018 | Translations | Hugh | Brian Friel | Ian Rickson | Royal National Theatre, London | |
2020 | Uncle Vanya | Professor Serebryakov | Anton Chekhov | Ian Rickson | Harold Pinter Theatre | Nova adaptação do vencedor do prêmio Olivier Conor McPherson |