Netania Davrath

You can help expand this article with text translated from the corresponding article in Hebrew. (February 2017) Click [show] for important translation instructions. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Hebrew Wikipedia article at [[:he:נתניה דברת]]; see its history for attribution. You may also add the template {{Translated|he|נתניה דברת}} to the talk page. For more guidance, see Wikipedia:Translation.

Netania Davrath (Нетания Доврат) (12 August 1931 – 11 April 1987) was a Ukrainian-born Israeli soprano opera and concert singer.

Early life and study[edit]

In 1948, Davrath moved to Israel with her family. There, she studied in Jerusalem with Edith Boroschek. She subsequently studied in Düsseldorf and later at the Juilliard School in New York with Jennie Tourel, as well as in Italy.

Career[edit]

Davrath's repertoire included both opera and concert pieces. She collaborated with conductors Leonard Bernstein, John Barbirolli, Leopold Stokowski and Zubin Mehta and several orchestras: the New York Philharmonic, Chicago Symphony Orchestra, London Philharmonic, Israel Philharmonic, Lyric Opera of Chicago, and Opera Boston among others. She recorded ten discs under the Vanguard Classics label. Davrath was fluent in eight languages.^[1]

Her childhood years may have influenced her attraction to folk music – first in her native country Ukraine (then part of the Soviet Union), then later in Israel. These influences are reflected in her performance style; a delicate tone, clarity of enunciation, and agility. Her early recording of Joseph Canteloube's Chants d'Auvergne is considered by many to be unsurpassed.

Her voice is tender, strong, nasal, arch, shy, abandoned, free from vibrato, pure and clean and distinctly un-operatic. She has that platinum quality of voice that is unsophisticated and girlishly innocent. Going by track record this is not something that can be taught. You either have it or you don't. Davrath's facility in eight languages undoubtedly aids her interpretations which are always intelligent and which do not give the impression of being phonetically acquired.

— Rob Barnett, music critic^[2]

References[edit]

External links[edit]

• Netania Davrath at AllMusic
• Rendition of Canteloube's "Baïlèro" on YouTube, from Chants d'Auvergne