Albert Gleizes (category School of Paris) representation of the human figure. This is sad, deeply. At the 1911 Salon d'Automne (room 8), Gleizes exhibited his Portrait de Jacques Nayral and La Chasse... 103 KB (11,628 words) - 11:06, 28 April 2024 |
Tea Time (Metzinger) (category Portraits of women) of a refined richness. Gleizes shows us the two sides of his great talent: invention and observation. Take the example of Portrait de Jacques Nayral,... 52 KB (6,626 words) - 15:51, 10 February 2024 |
Cubo-Futurism (redirect from Cult of the Machine) its amalgamation of the artistic elements found in Italian Futurism and French Analytical Cubism. Cubo-Futurism was the main school of painting and sculpture... 35 KB (3,970 words) - 02:15, 26 April 2024 |
Man on a Balcony (category 20th-century portraits) 1914 (The Museum of Modern Art, MoMA) or Gleizes' Portrait of Jacques Nayral, nor Picasso's portraits of Vollard, Uhde or Kahnweiler, had the artists sought... 35 KB (4,089 words) - 01:55, 25 December 2023 |
Le Chemin, Paysage à Meudon (category Stolen works of art) Gleizes. The work was exhibited at the Salon des Indépendants during the spring of 1911, Paris; Les Indépendants, Musée moderne de Bruxelles, 1911; Galeries... 20 KB (2,505 words) - 01:53, 25 December 2023 |
Gino Severini (category Painters of the Return to Order) Gleizes, 1912, Man on a Balcony, L’Homme au balcon, Severini, 1912–13, Portrait de Mlle Jeanne Paul-Fort, Luigi Russolo, 1911–12, La Révolte. Les Annales... 17 KB (1,854 words) - 12:19, 7 April 2024 |
Football Players (category Paintings in the National Gallery of Art) role of team sport, especially in the context of mass audience participation, reflects another interest of the artists of Passy. Jacques Nayral was occasionally... 21 KB (2,506 words) - 21:35, 17 January 2024 |