Karl Wilhelm Julius Hugo Riemann (18 July 1849 – 10 July 1919) was a German musicologist and composer who was among the founders of modern musicology....
10 KB (1,275 words) - 13:28, 9 May 2024
theories of tonal functions exist today: The German theory created by Hugo Riemann in his Vereinfachte Harmonielehre of 1893, which soon became an international...
20 KB (2,677 words) - 17:17, 14 May 2024
theory, in general, refers to the musical theories of German theorist Hugo Riemann (1849–1919). His theoretical writings cover many topics, including musical...
3 KB (375 words) - 08:26, 24 November 2023
interpret it more broadly as an augmented sixth chord F–A–D♯, based after Hugo Riemann on the principle that there are only three chord functions: tonic, predominant...
38 KB (3,800 words) - 09:31, 4 May 2024
English the "relative", and possibly the "counter relative" chords. In Hugo Riemann's theory, and in German theory more generally, these chords share the...
15 KB (1,568 words) - 07:54, 21 July 2023
132–150. Riemann, Hugo. 1875. "Die objective Existenz der Untertöne in der Schallwelle". Allgemeine Musikzeitung 2:205–206, 213–215. Riemann, Hugo. 1882...
60 KB (7,634 words) - 09:07, 18 January 2024
the phrase (the term in today's use is coined by the German theorist Hugo Riemann) is as contestable as its pendant in language, where there can be even...
9 KB (1,043 words) - 06:09, 29 February 2024
The Riemann Musiklexikon (RML), is a music encyclopedia founded in 1882 by Hugo Riemann. The 13th edition appeared in 2012. The Riemann Musiklexikon is...
5 KB (566 words) - 06:01, 3 April 2024
Schubert, Liszt, Wagner and Bruckner. Neo-Riemannian theory is named after Hugo Riemann (1849–1919), whose "dualist" system for relating triads was adapted from...
24 KB (2,915 words) - 06:48, 21 May 2024
the mediant iii note. On the other hand, in German theory derived from Hugo Riemann the mediant in major is considered the dominant parallel, Dp, and in...
4 KB (404 words) - 13:12, 29 September 2023