Der Freischütz (J. 277, Op. 77 The Marksman or The Freeshooter) is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto...

1911. Mould, J. Wrey, ed. (1849). "An Account of Weber's 'Der Freischütz'". Der Freischütz: (The Free-Shooter), a Lyric Folk-Drama. The Standard Lyric...

Weber, particularly Der Freischütz and Euryanthe, featured many passages using this chord. The Wolf's Glen scene in Der Freischütz (1821) is an example...

operas Der Freischütz, Euryanthe, and Oberon greatly influenced the development of the Romantische Oper (Romantic opera) in Germany. Der Freischütz came...

first volume is "Der Freischütz", a retelling by Apel of the Freischütz folktale. It formed the inspiration for Weber's opera Der Freischütz (1821). However...

Talmudic and post-Talmudic lore Samiel, a fictional character in the opera Der Freischütz Samael (disambiguation) This disambiguation page lists articles associated...

1804–05) survive. Weber's mature operas—Silvana (1810), Abu Hassan (1811), Der Freischütz (1821), Die drei Pintos (comp. 1820–21), Euryanthe (1823), Oberon (1826)—all...

ballet pupil's skeleton in Carl Maria von Weber's 1841 production of Der Freischütz. It has been successfully adapted into various stage and film adaptations...

Academy of Music from 1840. Lind became famous after her performance in Der Freischütz in Sweden in 1838. Within a few years, she had suffered vocal damage...

Wilson approached Waits. The story is based on the German folktale "Der Freischütz", which had previously adapted as an opera by Carl Maria von Weber....