Commedia dell'arte (/kɒˈmeɪdiə dɛlˈɑːrteɪ, kə-, -ˈmɛdiə, -ˈɑːrtiː/ kom-AY-dee-ə del-AR-tay, kəm-, -⁠ED-ee-ə, -⁠AR-tee, Italian: [komˈmɛːdja delˈlarte];...

Isabella is a stock character used in commedia dell'arte, in the class of innamorata (female lover). In the commedia dell'arte, the relationship of the innamorati...

Each character in commedia dell'arte is distinctly different, and defined by their movement, actions, masks, and costumes. These costumes show their social...

characters found in commedia dell'arte. With his exceptional greed and status at the top of the social order, Pantalone is "money" in the commedia world. His full...

Tartaglia (lit. 'Stutterer') is a dainty character in the commedia dell'arte. He is farsighted and with a minor stutter (hence his name; cf. Spanish tartamudear)...

Piedmontese: Giandoja [dʒaŋˈdʊja]) is one of the masks of the Italian commedia dell'arte, typically representing the town of Turin (and Piedmont in general)...

Lélio is a stock character of the commedia dell'arte. Lélio represents the happy innamorati, loved by the woman he loves (often Isabella), always friendly...

French: Colombine; lit. 'little dove') is a stock character in the commedia dell'arte. She is Harlequin's mistress, a comic servant playing the tricky slave...

 'lovers') were stock characters within the theatre style known as commedia dell'arte, who appeared in 16th-century Italy. In the plays, everything revolved...

Giacomo (1968). The Commedia dell'arte. New York: Hill and Wang. pp. 55–70. ISBN 9780809005451. Rudlin, John (1994). Commedia dell’Arte, An actor's handbook...